AUDITIONS: “Aneemah’s Spot” by Motion @ SummerWorks Festival

AUDITIONS for SummerWorks Festival Production
Aneemah’s Spot/The Base by Motion
Motion Live Presents in association Cric Crac Collective
 
Aneemah’s Spot by Motion 
Directed by Dian Marie Bridge 
Aneemah’s Spot is a 60-minute stage play in three parts that mixes spoken word, movement and theatre. It will be presented by the 2012 SummerWorks Festival from August 9th to 19th at the Lower Ossington Theatre.
Audition dates: Friday June 1st 6pm-9pm (Audition slots of 5-7mins)
Deadline for Submission: Thursday May 31st 5pm
Audition Location: the Creation Lab at 720 Bathurst St. (south of Bloor)
 
Please submit: Headshot and Resume tostudio268@yahoo.ca 
Actors will be contracted under Festival Co-op agreement. Members of CAEA welcome as well as Spoken Word Artists and Emcees. Only those considered for an audition will be notified with further details.
Performance dates for Aneemah’s Spot at Summer Works:
Thurs Aug 9 5pm
Sat Aug 11 12pm
Sun Aug 12 5pm
Tues Aug 14 7:30pm
Thurs Aug 16 10pm
Sat Aug 18 5pm
Rehearsals, begin in June and beginning of July according to avail. Then full rehearsals begin the last two weeks of July and the 1st week of August.

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KOLOR BROWN, KABAKA PYRAMID, FIVE STEEZ. J-WYZE & MOTION COLLABO ON TIME MACHINE! TDot to JA

@KOLOR BROWN ~ @KABAKA @5STEEZ ~ @MOTION.LIVE ~ @J WYZE

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LOVE JONES SUNDAYZ host : MOTION sounds : DJ SOULCHILD

#LOVEJONESSUNDAY May 6th, 2012. Performances by Lola Bunz : Ekko Effect : Tammy Soulful : Your Man V : Areta Marshall : 3nne : Britta B : Dwayne Morgan

Hosted by Motion :: Music by DJ SoulChild

460 College St (@ Bathurst), Toronto

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Obsidian Theatre presents 4OUR WOMAN 3/31/12

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4OUR WOMAN @ Obsidian’s Development Series 2012

Photo: Adam Rankin.  Left to right: Leah-Simone Bowen, Motion, Joseph Jomo Pierre

Excited to join playwrights Leah-Simone Bowen and Joseph Jomo Pierre for the Obsidian Theatre‘s Development Series!  ‘The Development Series will launch new Canadian work with three workshop productions’ during the renowned theatre company’s 2012 season. And 4Our Woman (a Suite) will be hitting the stage Saturday March 31st.

4our Woman by Motion
Sat March 31 2012 (Tapestry/Nightwood New Work Studio)
55 Mill Street, Building 58, The Cannery, Studio 315 Tickets: 416-463-8444

4Our Woman is a story of memory, migrations, identity and inheritance, the entangled portraits of a dead washer, a domestic, an inmate and a crown ward. The play is the story of women who walk the precarious line between death, rebirth, and the living in between.

*Up Next: The Hallway by Leah-Simone Bowen, April 7 2012

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Motion Tributes “Ladies First” at Honey Jam

Recognizing 16 years of Honey Jam, Phem Phat Productions partnered with the Harbourfront Centre to present Honey Jam: Then & Now. The reunion concert set off the Kuumba Festival, Harbourfront’s celebration of Black history, arts and culture. On the lineUP, Motion joins many of Toronto’s great groundbreaking vocalists, emcees, poets and DJ’s for a nite of tributes to some of their favourite musical artists of all-time. Inspired by icons such as Etta James, Anita Baker, and Lauryn Hill, each performer remixed and revisited some of the most influential tunes of their lives. Motion tributes “Ladies First” (Queen Latifah, Monie Love) a track that influenced a generation of young women & female emcees.

On stage, Motion is joined by Michelle Francis, Nicole Henry, Cynthia Amoah and DJ Mel Boogie. Intro mixed by DJ L’Oqenz.

Hosted by Michee Mee, the Phem Phat reunion show featured Belinda Brady, Kim Davis, Natasha Waterman, Saidah Baba Talibah, Motion, Jully Black, Jemini, Eternia, Tru and surprise guest Tara Chase. Music by DJ Mel Boogie.

For more info on the annual Honey Jam showcase, visit www.PhemPhat.com.

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“BETTER MUS COME” Comes to TO

LIVE from Jamaica, the Canadian premier of Better Mus Come reaches Toronto!

Caribbean Tales presents a weekend of film, reasoning & commemoration, celebrating groundbreaking media and media makers in the Caribbean’s Diaspora. The film, directed by Storm Saulter and starring actor/poet Sheldon Shepherd of the renowned dub band Nomaddz, depicts a riveting story of people, politics and rebellion in 1970’s Jamaica. Toronto’s TIFF Lightbox and the Caribbean Tales Youth Film Festival come together to set African History Month off with a gala and awards ceremony recognizing media mogul Denham Jolly, live and interactive interview with TIFF director Cameron Bailey and community screening of Better Mus Come. The Canadian premier of Better Mus Come is hosted by Motion and Dwayne Morgan.

Sponsored by TIFF, Caribbean Tales, 404 Media Group, Up From the Roots & MotionLive.

NO-MADDZ LIVE @ MANIFESTO JAMAICA.

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FRESH, BOLD & SO DEF WOMEN!

MOTION featured amongst FRESH, BOLD, & SO DEF WOMEN changing the Game!

A multimedia research project  incubated at the Hip-Hop Education Center at NYU, Fresh, Bold, & So Def: Women In Hip-Hop Changing The Game was created to empower and cultivate women in Hip-Hop. It features the motivational stories of emcees, poets, artists, writers, dancers, DJ’s, producers & more from the Hip Hop globe.

The objective is to promote positive images and motivational stories of powerful women in diverse roles and leadership positions within Hip-Hop culture through an educational resource book that can be used in classrooms, libraries, museums, community centers, forums, employment centers, and correctional facilities.

The upcoming book is bought together by visionary editors; producer/archivist Martha Diaz, writer/anthropologist Dr. Irma McClaurin and filmmaker Rachel Raimist, director of the groundbreaking doc Nobody Knows My Name. To preview the book, and pre-order your copy, contact: quasar729@gmail.com

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GRAF, a spoken word joint by Motion, directed by Eklipz, feat. ZION

An amazing experience working with director/emcee & artist, Eklipz of Storehouse Media/Crown A Thornz, DP Robby J and graf pioneer ZION to present this new “petit film” GRAF. Blending word, beats & vizuals, we wanted to drop a tight collabo that intertwined our artistic worlds into a multi-level creation.

With words that flowed outta my mind one sunset while riding the train, fused with the beatbox of King RC making music with his mouth, over a a soundscape created in the Kilzone, we took to the TDot & Steel City streets, underpasses, railways and alley ways to capture glimpses of concrete heiros that will most definitely “outlast our past.”

What a thing to know that as GRAF was being conceived, officials in low places were plotting yet another attempt to institute the erasure of this artform from “public” spaces, with the latest “war on graffiti” policy, politics and tricks. Their mono-tones infused a counterpoint to the mood we were creating.

In the final days before its birth, GRAF took on a next level when I awoke one morning after staying up to re-watch the groundbreaking Hip Hop classic Style Wars. That nite, the art, voice & face of KASE2, the single-armed art pioneer featured in the doc, was replaying in my head. By A.M., DJ Son of Soul’s early morning post appeared in my feed, announcing that the proclaimed “King of Style” KASE2 had passed.

Eklipz and I knew. That was the day for GRAF to be born, and shared with the eyez and ears of the soul dwellers who feel, know & live our culture.

BlessUP to Supa 83, Spott Music, IE, Kinky Kreations & Origin for the fresh sounds and vizuals.

And in reMemory of KASE2, and the true midnite writers and concrete scribes, we present :::GRAF.

The King of Style KASE2 & DJ Kay Slay on set in tha Bronx, Style Wars, circa 1983.

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OTTAWA FREESTYLE LOST TAPES WITH MOTION & POWER,

A surprise clip found its way into my inBox… A long lost tape from Classic Cassette Rips. Motion and DJ Power featured on Capital City’s Hip Hop college radio mainstay “Peaceful Journey.” BiGG Up JWyze of Crown A Thornz for the link:)

“This is a freestyle that Motion did sometime in 1998, she was in Ottawa on I think it was the Peaceful Journey radio show doin` some promo & she spit this over Xzibit`s “L.A. Times” Instrumental. This is ripped from one of the tapes in my collection, so please excuse the sound quality…”

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